Max Baca and Los Texmaniacs embody the rich, vibrant history and modern evolution of Conjunto music, blending traditional Mexican-American sounds with contemporary influences.

As NPR Alt. Latino puts it, their music is not a “dusty museum relic,” but a living, breathing force that resonates deeply with people who navigate a bicultural, bilingual identity.

Conjunto, a musical style deeply rooted in Texas and Mexican-American culture, is made fresh and exciting by Los Texmaniacs, whose performances are as energetic as they are educational.

At the heart of Los Texmaniacs’ sound are two key instruments: Max Baca’s masterful bajo sexto playing and his nephew Josh Baca’s dynamic accordion. Together, they craft a lively and soulful sound, drawing from genres as diverse as Tex-Mex, Texas rock, blues, and R&B. Their music transcends borders and genres, blending the past, present, and future of Conjunto into a groove that’s both rooted in tradition and innovative in its execution. Los Texmaniacs’ musical journey has taken them far beyond Texas, earning them a Grammy in 2010 and a nomination for their 2019 Smithsonian Folkways album Borders y Bailes, which featured collaborations with Lyle Lovett and Rick Trevino.

Their latest album, Corazones and Canciones, is a 15-song celebration of Mexican-American music, blending classic sounds with heartfelt emotion. The songs, spanning generations and geographies, are filled with love, joy, and the connective power of music. From the upbeat rhythms of conjunto polkas to the romantic strains of Tejano guitar, the album highlights the enduring significance of Mexican-American contributions to American roots music. The collaboration with vocalist La Marisoul adds an extra layer of soulfulness to the collection, infusing each track with emotion and depth.

Whether they’re performing in an intimate acoustic setting or rocking a large stage, Los Texmaniacs captivate audiences with their high-energy performances and their mission to keep the tradition of Conjunto music alive. Their music affirms that Mexican-American music is not just a regional or ethnic genre—it is an integral part of the American musical landscape, connecting people across cultures, borders, and generations.