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Open Mic

Mon, September 26 / 630 PM

You’ll hear plenty of folk, country and acoustic renditions by performers that spent their afternoon in classes at Rice or a long day at the office. Not only does the pub feature an impressive array of live music almost every night, but the Mucky Duck has been listed by Billboard Magazine as one of the 20 best acoustic venues in the country. Each performer gets three songs or 15 minutes on stage. -- houston.cbslocal.com
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What's Opera Duck?

Tue, September 27 / 730 PM

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Celebrate the start of the University of Houston Moores Opera Center's new season with an informal evening of favorite arias and musical theatre songs wryly hosted by director Buck Ross.


Leave the stuffed shirt at home. It's a party!

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Bob Schneider

Wed, September 28 / 7 PM930 PM

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At the core of Bob Schneider's talent lies a versatile singer/songwriter. But Bob has too much to say and too much to play to be tied to the limits of that model. All of his many faces are revealed through his solo work and the bands that he fronts.

His fans have come to expect the unexpected from Bob Schneider but all of these bands give him free rein to explore the music that he loves funk, pop, bluegrass, jazz, soul, blues, hip-hop and good old-fashioned bar rock raunchy enough to make you flush, and emotional enough to choke you up...
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Shake Russell & Michael Hearne

Thu, September 29 / 730 PM

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For more than three decades, Texas singer-songwriter Shake Russell has been entertaining audiences throughout the region with his unique, Americana style of folk-rock. A prolific songwriter, Shake has written or co-written hundreds of melodies. Through the years, Shake’s songs and albums have frequented the Billboard charts, with many, including “Deep in the West,” “You’ve Got a Lover,” “Put Yourself in My Shoes,” “One More Payment,” and “Our Kind of Love” being recorded by such distinguished artists as Waylon Jennings, Jessi Colter, Ricky Skaggs, Clint Black, and Carolyn Dawn Johnson. Ricky Skagg’s hit recording of “You’ve Got a Lover” has appeared on three of Ricky’s albums. 

 

Shake is a favorite at the Duck and his shows sell quickly so get your tickets soon.  


Come early for dinner and enjoy and beautifully poured pint and some of the best fish and chips in Houston. 

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EmiSunshine

Fri, September 30 / 7 PM

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It’s impossible to explain the exceptional talents of EmiSunshine, an 12-year-old East Tennessee prodigy who has captured the nation’s attention as a singer, songwriter and multi-instrumentalist.  Steeped in Appalachian music, she is a true vocal stylist, one who instinctively knows how to interpret the nuances of a song with her impressive range, even though she has yet to gain the life experience and empathy seemingly necessary to fully comprehend the words she sings. Despite a given name that reflects optimism, she is drawn to darker themes of pain, anguish and even murder, like that of The Louvin Brothers, whom she loves.


The Tennessean is just the latest to describe her as “an old soul,” noting, “Onstage, this soul’s presence is commanding and her singing voice authentic and folksy.” While her youth might remind many of Taylor Swift, a more apt comparison would be to artists such as Dolly Parton, Alison Krauss or members of the Carter Family.


Whether she’s performing on the Today show or the Grand Ole Opry or taking the stage at Nashville’s historic Ryman Auditorium, she is fearless, confident and firm in her musical direction. As she says, she sings “old-time music,” but it’s her own unique blend of roots music that is equal parts Americana, bluegrass, gospel, and country, with a little bit of blues thrown in for good measure. Her talent is indescribable and inexplicable, but fortunately, it doesn’t have to be understood to be appreciated.


“What makes me want to do this is I just love it,” she says. “I just really, really love it. I wouldn’t trade anything not to do this.”


“I love how I get to sing to people and make them happy,” she says. “I’m really blessed that I get to do this. It makes me feel amazing, like I’m touching somebody’s life.”


Offstage, Emilie Sunshine Hamilton is a typical 12-year-old girl who loves video games, pets and colorful clothes. She’s had a normal upbringing in Madisonville, Tenn., where her mother worked as a nurse and her father is a recording engineer. But when she begins singing, playing or writing, something else takes over, a phenomenon that began before she could talk.


Before she spoke, at around 10 months old, she began singing pure tones and humming melodies from Tom Petty songs.  She harmonized with her grandmothers and great-grandmothers, continuing a musical heritage to a third generation. Great-grandmother Wanda Matthews sang on the Tennessee Barn Dance and gave Emi the same advice that June Carter Cash gave her: Don’t let anybody walk all over you and don’t think nothin’ about what they say.


As soon as Emi was old enough to walk down the aisle, she began singing in church. She was too little to know the words, but you could hear her harmonies over the others’. At age 4, she sang “You Are My Sunshine” at her aunt’s wedding and learned how to sing the Dixie Chicks’ “Traveling Soldier.” When she was three and four, her mother, who is a songwriter, created songs for her, but by age 5, she wrote her first song, “My Time to Fly.”


At age 7, she learned how to play the ukulele—the guitar was too big for her little hands–and used it to write “Little Weeping Willow Tree.” That was the same year she recorded her first two albums, Strong as the Tall Pine and Wide River to Cross in her father’s studio. She learned how to play guitar and mandolin at age nine –the picks are still too large for her–and has since picked up the xylophone. By age 8, she was stripping down “Hush Little Baby” and rearranging the melody to sing to the pigs.

Her parents filled the house with music by Buddy Miller, Johnny and June Carter Cash and Emmylou Harris, and her musical tastes were formed. Those influences served as a foundation on which she built her own sound. “It’s kind of what came out,” she says of her sound. “I always loved that music and I thought, ‘That’s what I wanted to play. This is what I want to do.’”


She performed in churches, festivals, theaters, and for a time, talent shows. “One day I decided I didn’t want to do talent shows anymore because you could see the kids’ disappointment and it didn’t make me happy,” she says.


She had no idea that someone captured her flea market performance of Jimmie Rodgers’ “Blue Yodel No. 6” and posted it on YouTube in 2014. “It went viral,” she says. “We started getting a bunch of likes and we didn’t really know where it was coming from.”


Again, without the family’s knowledge, the Today show featured the video. “We were really excited and surprised,” she says. “We didn’t know what to think.” There was such a tremendous response to her performance that the show invited her on to perform live, a moment that changed her life because word of her talent immediately spread on Music Row.


It led to performances on Marty Stuart’s Late Night Jam at the Ryman during CMA Music Fest, and then to ongoing performances at the Grand Ole Opry.


She performs about 150 shows a year and touring is a family affair. Her mother took a leap of faith and gave up her nursing career to travel.  Father Randall Hamilton plays upright bass, her brother is on mandolin, Uncle Bobby is on drums and Aunt Kristal sells merchandise. “It’s fun, like how I get to be with my family all the time.”


Emi, who has 490,000 “likes” on Facebook, remains unaware of much of the whirlwind and demand swirling around her. “When we’re in Oklahoma and people recognize her, she doesn’t get why they know her,” says her mother, Alisha Hamilton. “When they come up and say, ‘My mama was dying and you gave her the best four weeks of her life. You comforted her and me.’ She doesn’t understand that she has made that impact on people’s lives. I tell her some of it, but not all of it, because it’s a heavy weight.”

EmiSunshine’s career moves will be dictated not by opportunities, but integrity. She knows who she is and what she wants her music to be, and her parents remain committed to ensuring that her wishes are not compromised in any way. After coming off a year where many of her dreams came true, Emi is quickly creating new dreams and plans. But her ultimate goal remains the same: “I just want everybody to know who I am.”

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Wild Ponies

Fri, September 30 / 930 PM

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How does one describe those precious moments in life when we are able to transcend our small daily self-interests, and can somehow hold onto those rarified breaths of the deeper human experience?  Radiant, the new Wild Ponies album, out May 13 on No Evil Records, explores those moments with alternating delicacy and raucous abandon. 


At times, it’s as though Telisha is sitting right beside you, fingers on your shoulder, whispering in your ear. Seconds later it’s hard to believe this full, confidently reckless sound is coming from only four players (Telisha Williams, Doug Williams, Megan Janeand Fats Kaplin).


When you lay every fear and foible, every hurt and healing out for the whole world to see as Wild Ponies did on 2013's Things That Used to Shine, the album's follow-up surely can't be faulted for cutting a little bit loose. That's certainly the case with Radiant, the rough and tumble new release from Wild Ponies duo of Doug and Telisha Williams. 


The set bucks and rumbles through 11 songs that pull from all manner of sources, poetic tweens, Catawba trees, homophobic politicians, dying small towns, and tarot cards. The tie that binds them all together is the thread of moments and memories, of cycles and seasons, that make up a life well-lived.

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Allison Iraheta & Halo Circus

Sat, October 1 / 930 PM7 PM

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Allison Iraheta + Halo Circus is a critically-acclaimed bilingual alternative rock band, featuring its star singer Allison Iraheta. Crafting “anthems for introverts,” Iraheta digs deep into dark places and transforms this anguish into lush, unforgettable melodies. Admired by millions as a finalist on American Idol, Iraheta released her debut album Just Like You shortly after her elimination in 2009. The album sold approximately 32,000 copies in its first week, debuting at number 35 on the Billboard 200 album chart. While touring in support of the album, she met songwriter and producer Matthew Hager. The pair began writing together and later decided to form a band, leading to the formation of Halo Circus in 2012.


Halo Circus’ debut earned instant acclaim, with LA Magazine declaring, "Allison Iraheta has moved beyond reality TV, forming a group that Duran Duran bassist John Taylor called ‘the best live band in the U.S.A.’ Think: dark, anthemic rock with a knack for soaring hooks" Rock NYC also admired the band, praising, "Hard-hitting and infectious rock and pop melodies, very diverse songs with bi-lingual lyrics [English and Spanish] and even covers - but not any covers, rather powerful renditions of hit-songs - all transformed by Allison Iraheta’s powerhouse vocals - this was the most impressive part about the whole band, no matter how many groups have tried to get to this rock sound fronted by a big-voiced female, very few can do it with such ease and confidence.”


Halo Circus quickly earned a reputation for their impressive live performances, which led to a series of high profile bookings, including: The Grammys "Women Who Rock - Festival At Sea" with Heart, Emmylou Harris, and other iconic female singers; a four- week Friday night residency at the prestigious Hotel Cafe in Los Angeles; and "Say It Loud! A Night of Cultural Disruption"; at the legendary Troubadour. Iraheta also performed on The Tonight Show, making history as the only guest vocalist to sing with the show’s band for an entire week.


On February 8, 2016, Halo Circus shocked the music industry by announcing, via Billboard, the first fully crowd-sourced American tour ever to be attempted on such a large scale. Through Road Nation, the band declared that any town in America that raises $600 would get Halo Circus to play there this summer and fall. Nine weeks later, the campaign reached 100% backing by fans, making music history with the first successful US crowd-funded tour to date, with 30 cities confirmed.


Next up is the release of Halo Circus’ highly anticipated debut album, Bunny, produced by Matthew Hager and mixed by multiple Grammy Award-winner Craig Bauer (Kanye West, Smashing Pumpkins). Iraheta explains, “our aim was high: play as much as possible, and try to develop a reputation as a great live band before releasing an album. 


Somehow along the way we learned how to play these songs to an audience and the band actually started to take on a life of its own.”She continues, “We decided to re--record what we recorded a year before. We wanted to capture the evolution of our live sound. We wanted Halo Circus to have the opportunity to record an album with the same quality and attention to detail that was given to bands in the 90’s.” And this band’s effort for perfection is paying off. The first single off the album, "Desire (Lo Que Vale La Pena)" was downloaded 647,000 times in its first week of release in a promotion with BitTorrent Bundle. The album, entitled Bunny will be released on June 24.


For Allison Iraheta, life before and with Halo Circus is like night and day. The daughter of Salvadoran immigrants, she was raised in South Central L.A., with Spanish as her native language. She draws from her background as inspiration for Halo Circus’ most popular songs: “Yo Me Voy,” “All I Have,” and “Desire (Lo Que Vale La Pena).”


Individually, the members of Halo Circus are veteran musicians. Prior to forming Halo Circus, bassist/keyboardist Matthew Hager was a No. 1 Billboard multi-platinum producer who crossed multiple genres working with the likes of Duran Duran, Scott Weiland, Mindi Abair, and Mandy Moore. 


In addition to being an accomplished Cantonese and orchestral drummer, Veronica Bellino’s previous work with Jeff Beck and DMC of Run DMC has helped to shape her live performances with Halo Circus. Brian Stead is a relentless guitar aficionado who evokes energy and charisma. 


He is a thoughtful guitarist with his own voice, one that makes him unique. Together, the band is one unstoppable force to be reckoned with as they continue down the rabbit hole and embark on the next chapter of their sound.


Iraheta concludes, “Magic happens in this band. It happened when we were writing, when we were recording, and when we were failing. The only thing that mattered was keeping it honest and getting it right, whatever that means. We may be inconvenient, but we continue to attract believers.”