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Warren Hood

Fri - Feb 2, 2018

Also available tonight
Warren Hood - 7 PM 30
Also available tonight
Darcy Malone and the Tangle - 930 PM 62
$20.00 Per Ticket
| $22.00 at the door
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Online tickets sales end at 5 PM on the day of the show!

People ask Warren Hood a lot of questions at the end of a show – what was the name of that song you played - it sounded like Stephane Grappelli maybe, right after the Doug Sahm cover? How did you learn to play fiddle like that? Are you playing anywhere else this week? How old are you? Warren always obliges to answer all of the questions, that’s just his character (the answers are usually something like, “Black Cat”, hard work and listening to the right records, yes, definitely, and older than you think). He cares deeply about the experiences of the people who come to his shows and buy his records and works hard to create memorable live performances and albums.


Warren started playing classical violin at age 11 in the school orchestra, later studying privately with Bill Dick. He won classical music competitions, including the Pearl Amster Youth Concerto Competition and the Austin Youth Award, which gave him the opportunity to perform as a soloist on “Lalo Symphonie Espagnole” with the Austin Symphony, conducted by Peter Bay. Warren later balanced studying at Austin High with touring with Charlie Robison and the South Austin Jug Band. After high school, Warren earned a rare scholarship to Berklee College of Music where he majored in Violin Performance, played with Steven Tyler and formed an acoustic string band, Blue Light Special. At Berklee, Warren earned the coveted String Achievement Award, an award chosen by faculty to honor talent and as a vote of confidence on future success.


Leaving Berklee, Warren returned to Austin and was in demand as a sideman, playing with Bruce Robison and Kelly Willis, Alejandro Escovedo, Joe Ely, and joining The Waybacks, a band he would play with for the next ten years. Through all of this, Warren played with the South Austin Jug Band when he could, especially as a part of their Sunday night residency at Momo’s on W 6th St in Austin. When the residency ended for SAJB, Warren gathered a group of friends and took over Sunday nights under his own name, starting his first solo venture and releasing his first studio record, “Warren Hood”, an eclectic mix of both songs and legendary Austin players including Marcia Ball, Cindy Cashdollar, and Ephraim Owens.


The Momo’s Sunday residency lasted seven years and was a testing ground for Warren where he found his sound, learned how to lead a band, and gave the artists he shared the stage with space to shine - something he had plenty of experience with from the other point of view, having been a sideman for 10+ years. The way Warren ran Sunday nights had a lot in common with the residencies he grew up around in Austin – his father, Champ’s, ‘Singin for your Supper’ at Threadgill’s (Marcia Ball, Butch Hancock, Ruthie Foster, Sarah Elizabeth Campbell, Jimmie Dale Gilmore) and Toni Price’s ’Hippie Hour’ at The Continental Club.


The band Warren plays with now (Marshall Hood and Willie Pipkin on guitar, Nate Rowe on bass, and Jordan Cook on drums) is the current version of the band he started back in 2004 at Momo’s. This band plays every week at ABGB, drawing a mix of “old Austin” and newcomers, musicians and music lovers, and dancers who stay on the floor from the first to last song. The Warren Hood Band plays a mix of their own songs, classic country, and blues, with a nod towards their Texas roots with a few Uncle Walt’s

Band songs mixed in. Warren recorded “Warren Hood Band” in 2013, an album produced by Charlie Sexton and released by Red Parlor Records. A multi-instrumentalist (violin, guitar, mandolin) and accomplished singer-songwriter, Warren is described in the press a lot of different ways: “virtuoso” ”seven time Austin Music Award winner - Best Strings” ”Texas fiddler” ”Chet Baker crooner” “bluegrass picker” – but for him it all kind of blends together into everything he does (and what he does doesn’t always have fiddle). Warren says slyly that “playing different styles of music is like speaking different languages - the difference between violin and fiddle is how you roll your Rs. The more languages you speak the more people you can talk to.”


Warren's greatest influence is certainly his father, Champ Hood. Champ was a member of Uncle Walt’s Band, an acoustic folk trio from Spartanburg, South Carolina that also included Walter Hyatt and David Ball. They moved to Austin in 1975, prime time for the zeitgeist of the Austin heyday, playing at Waterloo and the Armadillo and building a cadre of lifelong fans. Their intricate harmonies and creative songwriting inspired their contemporaries, many of whom are today’s best loved and most respected songwriters and artists, and continue to touch those who discover their records today. Warren spends as much time with his band as he does playing and recording alongside other artists: David Ball, The Bodeans, Hayes Carll, Joe Ely, Alejandro Escovedo, Robert Earl Keen, Ben Kweller, Little Feat, Lyle Lovett, Joan Osborne, Toni Price, Bob Schneider, South Austin Jug Band, Redd Volkaert, Jerry Jeff Walker The Waybacks, Bob Weir, Bruce Robison and Kelly Willis and more.

TERMS OF PURCHASE

  • All sales are FINAL. Tickets may NOT BE REFUNDED or EXCHANGED for another show.
  • All tickets are will-call, which is to say that there are no physical tickets - your name will be on a list at the door.
  • Tickets are put on sale as soon as a show is confirmed.
  • Tickets are available (cash only) at McGonigel's Mucky Duck. We do NOT sell tickets over the phone.
  • At 5 pm on the day of the show, tickets will no longer be available for purchase online.
  • Any remaining tickets can be purchased at the door (cash only).
  • You should receive an email confirmation of your ticket purchase.
  • Please bring your email confirmation and a valid photo ID for proof of age and ticket purchase.
  • Reserved seats are held until showtime. SEATS WILL BE RELEASED at that time (you will still have entry, but it will be general admission).
  • A NON-REFUNDABLE $5.00 per ticket service charge will be added to the purchase price of each ticket sold online - in the instance of a show cancellation the service charge will not be refunded.
  • The name in the 'Shipping Address' portion of your order will be the name your tickets are held under at the door - if you are buying tickets for someone else, indicate their name in these fields.
  • All shows are 21+. Anyone under the age of 21 must be accompanied by their parent.
  • Seating is arranged in the order of ticket purchase with preferred seating given to those who have purchased seated tickets and will be dining at the Duck.